{"id":33321,"date":"2026-08-05T10:00:00","date_gmt":"2026-08-05T14:00:00","guid":{"rendered":"https:\/\/www.americanonewspaper.com\/es\/?p=33321"},"modified":"2026-08-05T12:40:55","modified_gmt":"2026-08-05T16:40:55","slug":"la-segunda-parte-de-la-serie-de-cien-anos-de-soledad","status":"publish","type":"post","link":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/","title":{"rendered":"‘Cien a\u00f1os de soledad’"},"content":{"rendered":"\n

Bogot\u00e1, (EFE).<\/p>\n\n\n\n

Jorge Gil \u00c1ngel<\/p>\n\n\n\n

La segunda parte de ‘Cien a\u00f1os de soledad’, la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0<\/p>\n\n\n\n

“Para nosotros sigue siendo incre\u00edble que lo hayamos hecho. Cada d\u00eda en el set era surreal en ese pueblo creado”, dijo a EFE la directora principal del proyecto, Laura Mora, durante la alfombra roja de estreno de la segunda parte, que cuenta con siete cap\u00edtulos y estar\u00e1 disponible en Netflix a partir de este mi\u00e9rcoles.<\/p>\n\n\n\n

La primera parte de la serie fue un \u00e9xito mundial y cuenta la historia de los primos Jos\u00e9 Arcadio Buend\u00eda y \u00darsula Iguar\u00e1n, que se casan contra la voluntad de sus supersticiosos padres, lo que desencadena una tragedia que los lleva a irse de su pueblo acompa\u00f1ados de amigos y, meses despu\u00e9s, perdidos entre la sierra y la ci\u00e9naga, a fundar el m\u00edtico pueblo de Macondo.<\/p>\n\n\n\n

\"ABOGADOS<\/a>
ABOGADOS DE ACCIDENTES<\/figcaption><\/figure>\n\n\n\n

La segunda parte relata la firma del armisticio tras las guerras civiles del coronel Aureliano Buend\u00eda, la llegada del tren que abrir\u00e1 las puertas a la compa\u00f1\u00eda bananera que desatar\u00e1 las fuerzas que precipitar\u00e1n la ruina del pueblo, con lo que se cumplir\u00e1 la maldici\u00f3n de \u00darsula de que las estirpes condenadas a cien a\u00f1os de soledad no ten\u00edan una segunda oportunidad sobre la tierra.<\/p>\n\n\n\n

“As\u00ed como en la primera temporada la familia Buend\u00eda era la protagonista, en la segunda parte es Macondo como cuerpo pol\u00edtico, social, un Macondo donde llegan extranjeros, que crece, donde llega el capitalismo y todos los problemas que eso trae”, expres\u00f3 Mora. <\/p>\n\n\n\n

El otro director de la serie, Carlos Moreno, consider\u00f3 que la obra habla de “todo, de la injusticia social y un mont\u00f3n de temas que parecieran estar vestidos de realismo m\u00e1gico”. <\/p>\n\n\n\n

“Cuando yo veo los hechos de hoy en d\u00eda pareciera que se fuera a repetir lo que ocurri\u00f3 en Macondo. Todos los colombianos debemos ver la serie y leer el libro para entender esa reflexi\u00f3n que hay detr\u00e1s del libro”, a\u00f1adi\u00f3 Moreno a EFE.<\/p>\n\n\n\n

\"AUTOS<\/a>
AUTOS Y CAMIONES NUEVOS Y USADOS<\/figcaption><\/figure>\n\n\n\n

“Nuestro propio realismo m\u00e1gico”<\/strong><\/h2>\n\n\n\n

A Marleyda Soto le toc\u00f3 uno de los mayores retos de la serie: interpretar a \u00darsula Iguar\u00e1n, la matriarca que atestigua el ascenso de Macondo y de sus familiares y tambi\u00e9n el fin de la estirpe de los Buend\u00eda, una mujer que canaliza todas las emociones de su familia a lo largo del relato. <\/p>\n\n\n\n

“Ahora ya est\u00e1 mayor, ahora est\u00e1 anciana y el personaje tiene el conflicto de que no tiene la vitalidad y la fuerza f\u00edsica para poder enfrentarse a lo que est\u00e1 ocurriendo en Macondo y lo que est\u00e1 pasando en la casa Buend\u00eda”, afirm\u00f3 a EFE Soto, quien calific\u00f3 de “conmovedora” la experiencia de interpretar a \u00darsula.<\/p>\n\n\n\n

Como actriz, a\u00f1adi\u00f3, la vida le dio la oportunidad de vivir su “propio realismo m\u00e1gico” y destac\u00f3 el trabajo art\u00edstico para recrear en la vida real Macondo, algo que se hizo en una zona rural en el departamento colombiano de Tolima (centro). <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Por su parte, la actriz Margarita Rosa de Francisco, que interpreta en la segunda parte de la serie a Fernanda del Carpio, expres\u00f3 a EFE que la producci\u00f3n “merece ser vista como una obra de arte independiente” de la novela de Garc\u00eda M\u00e1rquez.<\/p>\n\n\n\n

“El libro no se puede repetir, el libro es inalcanzable, entonces el lector no se puede perder la oportunidad de experimentar la infinitud de ese libro y de contemplarse como ser humano en ese libro. Pero la serie tiene mucha belleza, las im\u00e1genes se han acercado a esos momentos memorables de esta novela con un respeto y una poes\u00eda que, digo yo, hacen que valga la pena verla”, resalt\u00f3. <\/p>\n\n\n\n

El cierre de la producci\u00f3n incluye el ‘Gran Final’ de la adaptaci\u00f3n de la obra cumbre del Nobel colombiano, que llegar\u00e1 a las pantallas el 26 de agosto con el t\u00edtulo ‘Cien a\u00f1os de soledad’ y dar\u00e1 cierre a esta arriesgada apuesta por llevar a las pantallas el mundo m\u00e1gico que cre\u00f3 Gabriel Garc\u00eda M\u00e1rquez. <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Bogot\u00e1, (EFE). Jorge Gil \u00c1ngel La segunda parte de ‘Cien a\u00f1os de soledad’, la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla […]<\/p>\n","protected":false},"author":12,"featured_media":33322,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false,"_members_access_role":[],"_members_access_error":""},"categories":[570,527,817],"tags":[],"class_list":["post-33321","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cine","category-farandula","category-literatura"],"acf":[],"yoast_head":"\n'Cien a\u00f1os de soledad' - Americano Newspaper<\/title>\n<meta name=\"description\" content=\"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Cien a\u00f1os de soledad'\" \/>\n<meta property=\"og:description\" content=\"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/\" \/>\n<meta property=\"og:site_name\" content=\"Americano Newspaper\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AmericanoNewspaper\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-05T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-05T16:40:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"560\" \/>\n\t<meta property=\"og:image:height\" content=\"373\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Maria Quintana\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Maria Quintana\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/\"},\"author\":{\"name\":\"Maria Quintana\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#\\\/schema\\\/person\\\/ff0825ff964ec074668f1d9571f5232d\"},\"headline\":\"‘Cien a\u00f1os de soledad’\",\"datePublished\":\"2026-08-05T14:00:00+00:00\",\"dateModified\":\"2026-08-05T16:40:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/\"},\"wordCount\":762,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg\",\"articleSection\":[\"Cine\",\"Far\u00e1ndula\",\"Literatura\"],\"inLanguage\":\"en\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/\",\"name\":\"'Cien a\u00f1os de soledad' - Americano Newspaper\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg\",\"datePublished\":\"2026-08-05T14:00:00+00:00\",\"dateModified\":\"2026-08-05T16:40:55+00:00\",\"description\":\"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#breadcrumb\"},\"inLanguage\":\"en\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg\",\"contentUrl\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg\",\"width\":560,\"height\":373,\"caption\":\"El actor Emmanuel Restrepo posa durante la alfombra roja de la serie de Netflix 'Cien A\u00f1os de Soledad' este martes, en Bogot\u00e1 (Colombia). EFE\\\/ Pablo R. seco\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/farandula\\\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"‘Cien a\u00f1os de soledad’\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/\",\"name\":\"Americano Newspaper\",\"description\":\"The Hispanic Newspaper of New Jersey.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#organization\",\"name\":\"Americano Newspaper\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/AmericanoLogoCircle.comCircle2.jpg\",\"contentUrl\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/AmericanoLogoCircle.comCircle2.jpg\",\"width\":600,\"height\":600,\"caption\":\"Americano Newspaper\"},\"image\":{\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/AmericanoNewspaper\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/#\\\/schema\\\/person\\\/ff0825ff964ec074668f1d9571f5232d\",\"name\":\"Maria Quintana\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en\",\"@id\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Crystal-Quintana-250x250.jpg\",\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Crystal-Quintana-250x250.jpg\",\"contentUrl\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/Crystal-Quintana-250x250.jpg\",\"caption\":\"Maria Quintana\"},\"url\":\"https:\\\/\\\/www.americanonewspaper.com\\\/es\\\/author\\\/crystal\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"'Cien a\u00f1os de soledad' - Americano Newspaper","description":"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/","og_locale":"en_US","og_type":"article","og_title":"'Cien a\u00f1os de soledad'","og_description":"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0","og_url":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/","og_site_name":"Americano Newspaper","article_publisher":"https:\/\/www.facebook.com\/AmericanoNewspaper\/","article_published_time":"2026-08-05T14:00:00+00:00","article_modified_time":"2026-08-05T16:40:55+00:00","og_image":[{"width":560,"height":373,"url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","type":"image\/jpeg"}],"author":"Maria Quintana","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Maria Quintana","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#article","isPartOf":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/"},"author":{"name":"Maria Quintana","@id":"https:\/\/www.americanonewspaper.com\/es\/#\/schema\/person\/ff0825ff964ec074668f1d9571f5232d"},"headline":"‘Cien a\u00f1os de soledad’","datePublished":"2026-08-05T14:00:00+00:00","dateModified":"2026-08-05T16:40:55+00:00","mainEntityOfPage":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/"},"wordCount":762,"commentCount":0,"publisher":{"@id":"https:\/\/www.americanonewspaper.com\/es\/#organization"},"image":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#primaryimage"},"thumbnailUrl":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","articleSection":["Cine","Far\u00e1ndula","Literatura"],"inLanguage":"en","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/","url":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/","name":"'Cien a\u00f1os de soledad' - Americano Newspaper","isPartOf":{"@id":"https:\/\/www.americanonewspaper.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#primaryimage"},"image":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#primaryimage"},"thumbnailUrl":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","datePublished":"2026-08-05T14:00:00+00:00","dateModified":"2026-08-05T16:40:55+00:00","description":"a segunda parte de 'Cien a\u00f1os de soledad', la serie de Netflix basada en la obra maestra de Gabriel Garc\u00eda M\u00e1rquez, ser\u00e1 estrenada este mi\u00e9rcoles como un retrato de la ca\u00edda de Macondo y el fin de la estirpe de los Buend\u00eda, una producci\u00f3n cuyos protagonistas a\u00fan no creen haberla sacado adelante por lo dif\u00edcil que parec\u00eda.\u00a0","breadcrumb":{"@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#breadcrumb"},"inLanguage":"en","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/"]}]},{"@type":"ImageObject","inLanguage":"en","@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#primaryimage","url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","contentUrl":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","width":560,"height":373,"caption":"El actor Emmanuel Restrepo posa durante la alfombra roja de la serie de Netflix 'Cien A\u00f1os de Soledad' este martes, en Bogot\u00e1 (Colombia). EFE\/ Pablo R. seco"},{"@type":"BreadcrumbList","@id":"https:\/\/www.americanonewspaper.com\/es\/farandula\/la-segunda-parte-de-la-serie-de-cien-anos-de-soledad\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.americanonewspaper.com\/es\/"},{"@type":"ListItem","position":2,"name":"‘Cien a\u00f1os de soledad’"}]},{"@type":"WebSite","@id":"https:\/\/www.americanonewspaper.com\/es\/#website","url":"https:\/\/www.americanonewspaper.com\/es\/","name":"Americano Newspaper","description":"The Hispanic Newspaper of New Jersey.","publisher":{"@id":"https:\/\/www.americanonewspaper.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.americanonewspaper.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en"},{"@type":"Organization","@id":"https:\/\/www.americanonewspaper.com\/es\/#organization","name":"Americano Newspaper","url":"https:\/\/www.americanonewspaper.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"en","@id":"https:\/\/www.americanonewspaper.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2024\/05\/AmericanoLogoCircle.comCircle2.jpg","contentUrl":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2024\/05\/AmericanoLogoCircle.comCircle2.jpg","width":600,"height":600,"caption":"Americano Newspaper"},"image":{"@id":"https:\/\/www.americanonewspaper.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/AmericanoNewspaper\/"]},{"@type":"Person","@id":"https:\/\/www.americanonewspaper.com\/es\/#\/schema\/person\/ff0825ff964ec074668f1d9571f5232d","name":"Maria Quintana","image":{"@type":"ImageObject","inLanguage":"en","@id":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2024\/02\/Crystal-Quintana-250x250.jpg","url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2024\/02\/Crystal-Quintana-250x250.jpg","contentUrl":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2024\/02\/Crystal-Quintana-250x250.jpg","caption":"Maria Quintana"},"url":"https:\/\/www.americanonewspaper.com\/es\/author\/crystal\/"}]}},"jetpack_publicize_connections":[],"featured_image_urls":{"full":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"thumbnail":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-250x250.jpg",250,250,true],"medium":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-300x200.jpg",300,200,true],"medium_large":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"large":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"1536x1536":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"2048x2048":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"td_150x0":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-150x100.jpg",150,100,true],"td_218x150":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-218x150.jpg",218,150,true],"td_300x0":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-300x200.jpg",300,200,true],"td_324x400":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-324x373.jpg",324,373,true],"td_485x360":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526-485x360.jpg",485,360,true],"td_696x0":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"td_1068x0":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"td_1920x0":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false],"bdpp-medium":["https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg",560,373,false]},"author_info":{"display_name":"Maria Quintana","author_link":"https:\/\/www.americanonewspaper.com\/es\/author\/crystal\/"},"category_info":"<a href=\"https:\/\/www.americanonewspaper.com\/es\/category\/cine\/\" rel=\"category tag\">Cine<\/a> <a href=\"https:\/\/www.americanonewspaper.com\/es\/category\/farandula\/\" rel=\"category tag\">Far\u00e1ndula<\/a> <a href=\"https:\/\/www.americanonewspaper.com\/es\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>","tag_info":"Literatura","comment_count":"0","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/08\/d6ddeb9bc2d58130b66518a1dd7c4f64d741b526.jpg","_links":{"self":[{"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/posts\/33321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/comments?post=33321"}],"version-history":[{"count":3,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/posts\/33321\/revisions"}],"predecessor-version":[{"id":33341,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/posts\/33321\/revisions\/33341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/media\/33322"}],"wp:attachment":[{"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/media?parent=33321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/categories?post=33321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.americanonewspaper.com\/es\/wp-json\/wp\/v2\/tags?post=33321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}