{"id":33133,"date":"2026-07-19T14:43:23","date_gmt":"2026-07-19T18:43:23","guid":{"rendered":"https:\/\/www.americanonewspaper.com\/es\/?p=33133"},"modified":"2026-07-19T20:53:54","modified_gmt":"2026-07-20T00:53:54","slug":"musas-sonideras-mexicanas","status":"publish","type":"post","link":"https:\/\/www.americanonewspaper.com\/es\/mexico-2\/musas-sonideras-mexicanas\/","title":{"rendered":"Musas Sonideras Mexicanas"},"content":{"rendered":"\n

Ciudad de M\u00e9xico, 19 jul (EFE).- <\/p>\n\n\n\n

Antes de la conformaci\u00f3n de Musas Sonideras “los hombres se pasaban el micr\u00f3fono como si fuera un trono”, asegura a EFE Marisol Mendoza, conocida como la ‘Musa Mayor’, quien hace 12 a\u00f1os desafi\u00f3 las dinast\u00edas masculinas del sonidero en los barrios de Ciudad de M\u00e9xico y lo transform\u00f3 en un legado feminista donde las mujeres mezclan m\u00fasica y bailan entre consignas.<\/p>\n\n\n\n

\"Abogados<\/a>
Abogados de Accidentes<\/figcaption><\/figure>\n\n\n\n

Adonde van las Musas Sonideras va tambi\u00e9n la “lucha social”, afirma la ‘Musa Mayor’. Esa es la melod\u00eda que acompa\u00f1a su cumbia, su tribal y su salsa en el m\u00edtico Sal\u00f3n Los \u00c1ngeles, en el coraz\u00f3n de Tlatelolco, un recinto que a mediados del siglo XX vio pasar a Mar\u00eda F\u00e9lix y Frida Kahlo, y que ahora recibe la novena edici\u00f3n del Musafest.<\/p>\n\n\n\n

\"\"
Personas bailan durante el noveno Musa Fest este s\u00e1bado, en el sal\u00f3n Los \u00c1ngeles en la Ciudad de M\u00e9xico (M\u00e9xico). EFE\/S\u00e1shenka Guti\u00e9rrez<\/figcaption><\/figure>\n\n\n\n

“Est\u00e1s en la mera cumbia y, de repente, (tomas el micr\u00f3fono) y dices: ‘Por m\u00e1s cumbia sin acoso, por m\u00e1s bailes sin violencia’, eso te va transformando, cambiando y cumbiando tambi\u00e9n”, relata Mendoza sobre c\u00f3mo las mujeres han resignificado el movimiento sonidero, originado en 1960, en un espacio “poderoso y terap\u00e9utico”.<\/p>\n\n\n\n

\"AUTOS<\/a>
AUTOS Y CAMIONES NUEVOS Y USADOS<\/figcaption><\/figure>\n\n\n\n

Fueron 50 musas las que se apoderaron de la tornamesa del legendario sal\u00f3n, entre ellas la actriz Alejandra Ley, y transformaron la l\u00edrica de Willie Col\u00f3n en un baile donde la gente “solt\u00f3 miedos y culpas” para “escuchar su propia voz”, cuenta la ‘Musa Mayor’.<\/p>\n\n\n\n

La sensaci\u00f3n que evocan las musas, explica, viene de un lugar “alegre” y a la vez “triste”, porque la m\u00fasica te pone a bailar, pero la letra viene cargada de la dureza de la “vida diaria” en M\u00e9xico, donde un promedio de 10 mujeres son asesinadas al d\u00eda.<\/p>\n\n\n\n

\"\"
Personas bailan durante el noveno Musa Fest este s\u00e1bado, en el sal\u00f3n Los \u00c1ngeles en la Ciudad de M\u00e9xico (M\u00e9xico). EFE\/S\u00e1shenka Guti\u00e9rrez<\/figcaption><\/figure>\n\n\n\n

El legado feminista <\/strong><\/h2>\n\n\n\n

Haber ocupado el trono de esta dinast\u00eda tradicionalmente masculina, en la que Sonido Duende, padre de la \u2018Musa Mayor\u2019 es una de las leyendas, implic\u00f3 pasar el micr\u00f3fono a “todo lo femenino”: las chicas trans, “el ej\u00e9rcito de lesbianas”, las abuelas, las cuidadoras y las ni\u00f1as.<\/p>\n\n\n\n

\"Sitios<\/a>
Sitios web, landing pages, redes sociales<\/figcaption><\/figure>\n\n\n\n

“Es bien bonito ver a las infancias cuando dicen: ‘Cuando crezca quiero ser una musa sonidera'”, cuenta Mendoza, quien lidera un “tsunami” de nuevas generaciones de mujeres, como la Diosa del Caos, Princesa Duende (su hija) o Sonido la Bruja, que est\u00e1n “rompiendo las reglas” del sonidero “purista” para reinventar el movimiento.<\/p>\n\n\n\n

El legado de este “tsunami feminista” est\u00e1 marcado por la resistencia. Una lucha que comenz\u00f3 en el barrio de Tepito durante la d\u00e9cada de 1960 con Guadalupe Reyes, conocida como ‘La Socia’ y la primera sonidera del pa\u00eds, y que Mendoza continu\u00f3 en 2014 junto con Jaqueline Malag\u00f3n, ‘Sonido La Dama’, y Lupita ‘La Cigarrita’.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Para convertirse en la ‘Musa Mayor’, Marisol, de 47 a\u00f1os, tuvo que forjar un propio camino m\u00e1s all\u00e1 de la dinast\u00eda Duende, encabezada por su padre, y desafiar los roles de g\u00e9nero del mundo sonidero, que relegaban a las mujeres a enrollar cables, cargar bafles (un tipo de bocina) y cocinar.<\/p>\n\n\n\n

“El micr\u00f3fono, como el trono, se pasaba de hombre a hombre. Mi hermano lleva 30 a\u00f1os con el micr\u00f3fono y mi pap\u00e1 nunca me vio tocar con Sonido Duende, en su propio equipo”, confiesa.<\/p>\n\n\n\n

\"FAJAS<\/a>
FAJAS Y BRAS<\/figcaption><\/figure>\n\n\n\n

Pese a ello, hoy cientos de musas como Am\u00e9rica Neri, de nombre art\u00edstico la Diosa del Caos, heredan el legado de Mendoza, uno basado en el cuidado, la resistencia y la inclusi\u00f3n.<\/p>\n\n\n\n

“Es una terapia grupal en la que todas compartimos nuestras ra\u00edces con la cumbia y nos atrevemos a tomar el micr\u00f3fono para encontrar nuestra voz”, expone.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Neri y Mendoza coinciden en que las brechas persisten: las sonideras siguen “trabajando m\u00e1s y ganando menos”, adem\u00e1s de “enfrentar la inseguridad al ocupar espacios de poder\u201d.<\/p>\n\n\n\n

“Pero cada vez que tomamos el micr\u00f3fono, lo hacemos visible y damos un paso hacia adelante”, exclama la ‘Musa Mayor’.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"

Ciudad de M\u00e9xico, 19 jul (EFE).- Antes de la conformaci\u00f3n de Musas Sonideras “los hombres se pasaban el micr\u00f3fono como si fuera un trono”, asegura a EFE Marisol Mendoza, conocida como la ‘Musa Mayor’, quien hace 12 a\u00f1os desafi\u00f3 las dinast\u00edas masculinas del sonidero en los barrios de Ciudad de M\u00e9xico y lo transform\u00f3 en […]<\/p>\n","protected":false},"author":7,"featured_media":33134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false,"token":"eyJpbWciOiJodHRwczpcL1wvd3d3LmFtZXJpY2Fub25ld3NwYXBlci5jb21cL2VzXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI2XC8wN1wvbXVzYS5qcGVnIiwidHh0IjoiTXVzYXMgU29uaWRlcmFzIE1leGljYW5hcyIsInRlbXBsYXRlIjoiaGlnaHdheSIsImZvbnQiOiIiLCJibG9nX2lkIjoyMjg2MTk1NzR9.WrqlEZZbgLcpugcGVFlXlKTlZw0gBzpD4TXypE_K58cMQ"},"version":2,"media_source":"featured-image","attached_media":[{"id":33134,"url":"https:\/\/www.americanonewspaper.com\/es\/wp-content\/uploads\/2026\/07\/musa.jpeg","type":"image\/jpeg"}]},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false,"_members_access_role":[],"_members_access_error":""},"categories":[527,528,677],"tags":[],"class_list":["post-33133","post","type-post","status-publish","format-standard","has-post-thumbnail","category-farandula","category-mexico-2","category-musica"],"acf":[],"yoast_head":"\nMusas Sonideras Mexicanas - 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